Archive for October, 2011
Pan Am: Surreal yet Compelling
Posted by Scott Erb in Cold War, Entertainment, Television, Travel on October 10, 2011
This post contains spoilers from the first three episodes of Pan Am (ABC – Sunday 10:00 PM EST)
I’ve broken from my usual writing about politics and world affairs to comment on music, today I’ll wade into the territory of network television.
Set in the early 1960s, the new ABC series Pan Am follows the lives of a group of stewardesses (not flight attendants yet) traveling the globe on one of Pan Am’s top of the line international jets. But the story gets complicated, one stewardess, Kate, works for the CIA. She’s not a full blown agent, but recruited to run errands — make deliveries, exchange messages and the like. Yet she is a vehicle for a lot of cold war intrigue, bringing politics and the Cold War at its height back into American living rooms.
So you have gorgeous women (each with their own personality quirks), hot shot pilots, jealousy, romance, rivalry and espionage set in the early sixties. Isn’t that enough to get you to check it out!? But it’s more than that. The series does something that is very difficult to pull off — it uses a kind of soft surrealism to blend together an unlikely mix of characters and situations into a compelling and very entertaining show.
Two of the women, Kate and Laura, are sisters. Laura left her would be husband at the alter to ultimately join Kate in her career, with her drop dead beauty earning her a cover of Life magazine. Their mom, who has already appeared (bringing the would be groom to Paris to try to win Laura back) finds this life style dangerous and strange. Done wrong, that kind of story line would be corny — oh yeah, she leaves the groom at the alter, becomes a stewardess with her sister and gets on Time? But within the surreal framework of the show it’s perfect. It works.
Collette, from France, is an intriguing and very likable woman seems to have a kind of ‘old world’ wisdom and perspective that plays off the brimming optimism and idealism of the Americans. She already was confronted by the wife of a man she had slept with (without knowing he was married), in episode three we learn of her past. Set in Berlin Germany as the crew took reporters to see John F. Kennedy’s Ich bin ein Berliner speech, it’s revealed her parents were killed in the war and she can’t get over her hatred of the Germans. In a surreal scene at an embassy party for the President (who had left by then) she starts making accusatory statements to Germans she meets. She then apologizes, says she’ll make up for it and asks to the pianist to play the German national anthem and sings in perfect German “Deutschland, Deutschland ueber alles.” She isn’t trying to honor the Germans by doing this!
It’s surreal because a pianist would not have played it, especially once the words of the “forbidden” first verse were sung. She would have been stopped and kicked out. Yet somehow they pull it off; in the context of this show, it works. Another stewardess, Maggie (a free thinking woman with drive and courage), has a crush on the President and spends the whole show trying to get to meet him. She finally sees Air Force One and tells Laura that she can’t make the return flight and to tell the crew she’s sick. She gets to the tarmac and when stopped she pleads for a chance to shake the President’s hand. When that doesn’t work she informs the Secret Service that she has a box of Cuban cigars as a gift for Kennedy.
Impressed by the cigars the agent tells her to wait, and heads to the plane. The President appears atop the plane’s entrance, somewhat in the distance (it’s dark we can’t see features) and waves at her — close to what she wanted, and she’s enthralled.
Gender issues of the early 60s (before ‘women’s lib’) will clearly be covered by this show. Maggie’s already gotten in trouble for mocking the “weigh ins” required of stewardesses (can’t have any chubby unattractive women serving Pan Am!) and even stabbing with a fork a first class passenger who tried to assault her. He backs off, but it’s clear that if he complains Maggie will lose her job (while he risked nothing for what would now be considered a crime). The pilot settles him down with some expensive scotch and an apology, but instead of being thankful that her job is not in danger, Maggie steams over the injustice of it all.

Dean (the captain of the airplane) and Collette as he notices she's not herself at the embassy party.
The show is only three episodes old. So far more emphasis is placed on the women — who are the stars — but the Captain (Dean) and first officer (Ted) are integral parts of the story lines as well. We’ll see how it develops, but at this point it’s got me hooked.
Pan Am started regular transatlantic flights in 1958, and the show is set in that golden era of flight when service was a premium, especially on international flights. Given the historical allusions — we’ve already had the Bay of Pigs and JFK’s Berlin speech — those of us who enjoy Cold War history will find that part of the show interesting. This week Maggie helped an East German spy defect, though it got her in some trouble. It also clearly shows the Machiavellian nature of Cold War intrigue — the key is to combat the Soviets without risking a ‘hot’ war. One reviewer suggests that this is “TV for old people,” and being 50 it might well be that there is a nostalgic allure to it. I’m OK with that! Anyway, I’ve always liked airline movies (I keep waiting for George Kennedy to show up to do mechanical work).
Another complaint is that it’s “too happy.” So far the dramas are not the kind of tragedies that hit shows like “Desperate Housewives” (another rather surreal hit that preceeds it on ABC), but that’s OK. It’s a fun show, and it captures the optimism of the era just before Kennedy’s assassination and the subsequent horrors of Vietnam. So for the first time in a long time I’ve found an hour long network drama that I plan to watch regularly!
Pan Am suffered financial collapse in early December, 1991 — the same month that the Cold War would end with Mikhail Gorbachev’s announcement that the Soviet Union was breaking up. In that sense the subject matter is doubly fitting: the Cold War era was Pan Am’s era.
Global Economic Collapse Imminent?
Posted by Scott Erb in Economic crisis, Economics, European Union, Germany, Global Depression, Italy, Markets, Political Economy, US Politics on October 8, 2011
Alarming words from the head of the IMF: a global economic collapse could occur within weeks if something isn’t done head off the ongoing crisis in Europe. The warning may seem overblown, but the danger is real.
Here’s the problem: unless investors are convinced that bonds issued by Greece, Spain, Portugal, Italy and Ireland are safe, they’ll start selling them off in the bond market. That will drive down the price (supply increases, demand will be low). When the price of a bond falls, that increases its interest rate. An Italian bond set to pay off 1000 Euros in three years might normally cost 940 Euro, meaning you’d earn 60 Euro (about 2% per year) on your investment. But if people start thinking the Italian economy is going to tank then the price may drop dramatically — the 1000 Euro bond might cost only 850 Euro, meaning a 5% yield, or go even lower. Right now the Italian 10 year bond has a 5.5% yield rate.
By comparison, US Treasuries have about 2% yield on the ten year bond, as does Germany’s. This means that if the US and Germany sell bonds to finance government debt, the cost is relatively low — 2% a year. If Italy wants to run deficits, they pay a much higher interest rates. Now, guess what Greece’s 10 year bond yield rate is. 23%. That is simply unsustainable even in the short term. It shows that people are expecting a Greek default and thus dumping bonds to those who want to take a big risk to potentially pocket a 23% investment gain.
Spain is also at about 5%, but Portugal’s bond yield is 11%, and Ireland’s at near 8%. Those are getting into very high risk territory. Now, at this point all these yields are kept somewhat low (relative to what they could be) by the hope/expectation of an EU bailout. The EU has intervened in Greece, Greece has undertaken a very unpopular austerity program (after all you can’t keep running up debt borrowing at 23%!), and the panic has been minimal.
But what if the EU can’t save Greece? Then the Greeks will likely default, they simply can’t make payments on their bonds. The bond holders — banks throughout Europe (including Germany) will then be under stress, as some of their assetts become worthless. Still, if it stopped there, that wouldn’t be that big of a crisis. The danger is Contagion. Holders of Portugese, Italian, Spanish and Irish bonds would realize that the world has changed: default is possible. Yields on all those bonds would likely rise dramatically creating default threats across southern Europe. At that point bank assets would be so stressed that credit markets would dry up and the European economy would be hit by a crisis larger than what hit the US in 2008.
US and British banks are relatively unexposed, but the economic impact would be to sink the world deeper in recession. But it doesn’t end there.
Banks, including those in the US and UK, have been issuing credit default swaps on these bonds. These swaps can be seen as akin to a life insurance policy. Let’s say your neighbor confides with you that he has cancer, even though he’s young and fit. You then go to an insurance agent and buy a life insurance policy on him for $1 million. You pay a policy of $300 a year, but if the cancer kills him you could get $ 1 million.
Insurance companies sell these policies because statistically they don’t expect to make large payments. Most of us go through life paying for insurance “just in case.” But in the world of finance it’s more like a casino. The credit default swaps are cheap, but have a potentially very large payoff. It’s like placing a bet on a long shot horse — you’ll probably lose, but if you win the earnings are big. So if you decide to bet against the EU and Italy, you can buy credit default swaps on Italian bonds. If the bonds mature and Italy pays their value, you get nothing and lose the “premium” you paid to buy the swap. But if Italy defaults, you get the value of the bond — potentially a huge pay off. That happened back in the US when owners of credit default swaps on mortgage backed bonds made a killing when the real estate bubble burst.
The thing is, we don’t know how exposed banks are in terms of credit default swaps. If they’ve felt confident that the crisis would be contained, they may be very exposed. So even banks that don’t directly hold bonds might be on the hook if defaults spread. That would add to the depth of the crisis and could spark a breakdown in the entire financial system of the kind that the bail outs of 2008 managed to avoid. In such a case credit would be very difficult to come by, even for “safe” auto loans, perhaps even credit cards would be hit.
If the EU doesn’t manage to convince investors that Greece will not default the whole thing could spread quickly — within weeks. If the EU came up with a very comprehensive package they could allay fears and Greek yields would come back down to earth and overcome the crisis. It would be a couple years before deleveraging would get them out of the woods, but investor confidence would return and the system would survive.
However, although this may look like a no brainer in those terms, in political terms it’s a tough sell. Any kind of package that saves the system would appear to be a bail out of countries who had been irresponsible in their borrowing and spending, and protection of banks who made irresponsible loans. That would be very unpopular in countries like Germany, which would pay a lion’s share of the cost. But it would also be unpopular in Greece, whose people protest cuts in spending and increases in taxes. In their eyes they’re being made to suffer for mistakes of bureaucrats and banks, and a mix of spending cuts and tax increases assures a deeper recession and more pain. They’d rather default than suffer austerity. So the moves needed to save the global political economy are by nature very unpopular and arose anger.
Most people don’t know how bonds work, wouldn’t know a credit default swap from collaterized debt obligation, and have no sense of just how interconnected the financial industry is world wide. The argument supporting such “bailouts” is only persuasive if you really work through the intricacies of how the financial system functions. Most voters don’t do that, so any politician who tries to save the system will probably lose their job.
With so much on the line I think they’ll find a way to avert catastrophe. The stakes are just too high, and the insiders know what the stakes are, and how inaction could mean utter catastrophe. Still, the danger is real. That’s why stories about European bond yields and bailout plans may be the most important news to follow in coming weeks. Global economic collapse is still unlikely, but quite possible.
“One Hundred Years From Now” and “Cyclorama”
Posted by Scott Erb in Dennis DeYoung, Entertainment, Music, Styx on October 7, 2011
I thought it would be fun to compare the most recent solo album by Dennis DeYoung: One Hundred Years from Now with the most recent studio album of new songs from the band Styx, Cyclorama. DeYoung’s album came out in 2007 in Canada, and then was released with some changes to the US in 2009. Cyclorama was released in 2003 and is the only Styx studio album without DeYoung’s presence. DeYoung’s album apparently did not chart in the US (though it hit number 1 in Canada), while Cyclorama reached 127 on the Billboard chart, selling about 50,000 copies. I’ll start with the older album.
I believe Cyclorama is an excellent album and I enjoy it more as I listen to it more. It’s just not really a Styx album for me. Without DeYoung it seems like a very different band. Not a bad band, but a different band. The album has a number of highlights. James Young shines with These are the Times, his best song since Miss America. It is a powerful hard rock song that probably could not be written by a young man. It reflects the wisdom of experience along with the recognition that choices matter. One with Everything by Tommy Shaw is another of my favorites — on so many levels the song moves and amazes me, the music is one with the lyrics, it is on my list of all time favorite songs. Lawrence Gowon, who replaced DeYoung, also contributes solidly to the album, especially with the socially and psychologically relevant More Love for the Money.
The album has no clunkers. Killing the Thing that you Love drags a bit for me, and is the song I most often click past. James Young’s Captain America is OK; the idea is good and the music rocks, but the song itself seems to be missing something. Otherwise, every song is enjoyable, well produced and well written. Tommy Shaw’s contributions reflect some of the best song writing of his career, showing that he has grown as an artist. Rather than following old formulas, he explores new ground and each song is interesting and compelling.
One of my favorites is Kiss Your Ass Goodbye by Glen Burtnik, a song which combined with the Bourgeois Pig bit by Billy Bob Thornton at the start is the kind of break from the norm that compares to Mr. Roboto and Plexiglass Toilet. It’s a novelty song, but fun. It also adds to the complex variety the album offers while still seeming coherent and connected. In that Shaw’s One With Everything captures the spirit of the ablum — diverse, yet a true unified effort.
One Hundred Years from Now by Dennis DeYoung sounds more like a Styx album than does Cyclorama. In fact, it’s got a collection of songs that rival anything DeYoung wrote either solo or as a member of Styx. Given that on any given Styx album his contributions represented three or four songs, his ability to put together 12 tunes this good is amazing. I have since ordered his Hunchback of Notre Dame musical and will listen to that as well!
The title track, done on the Canadian version partly in French in a duet with Eric Lapointe, is done in English by DeYoung alone on the US release. To me it is up there with Suite Madame Blue, Unfinished Song, Grand Illusion and Pieces of Eight among DeYoung’s best efforts. It combines a pleasant, catching and powerful melody with lyrics conveying a profound message.
Another song that I find riveting is Rain. It has DeYoung’s hallmark talent of writing a melody that is intensely powerful yet accessible, evoking images of real devastation (apparently Katrina was an inspiration) as well as being a metaphor for one overwhelmed by life. Crossing the Rubicon is a deep and almost mystical song that reflects wisdom and experience. As one ages one has to recognize the need to move on and make changes; instead of ‘waiting for a better day,’ you have to take risks and move onto new ground. If you’re like Estragon (the character from “Waiting for Godot” to whom DeYoung alludes) you’ll simply be waiting for death. Each time I listen, the more meaningful the song is for me.
There was a Time is a reflective look back, reminding me a bit of his earlier Goodbye to Roseland, but better. Private Jones is a hard rock tribute to those who fought in the post 9-11 wars, reflecting the uncertainties and disappointment of those whose patriotism seemed confronted with an ambiguous reality.
There’s also a group of songs that has a spiritual sense of human faith in relationships: Save Me, I Believe in You, and Forgiveness. Breathe Again rounds off that list, being a very personal song from DeYoung to his wife Suzanne, yet a powerful statement in its own right. Two of my favorites are social commentaries on the information revolution: I Don’t Believe in Anything and Turn Off CNN.
Any fan of Styx in its heyday will appreciate DeYoung’s solo effort. He’s allowed himself to create an album with the elements that made Styx one of the most successful bands of its era, but doesn’t do so in a formulaic manner. The songs show his versatility both as a singer and song writer. His voice sounds very much like it did in Styx’ heyday; to me the album stands alongside Grand Illusion and Paradise Theater in quality.
The good news, then, is that both Styx related acts have quality. Like the original band in the early days, both refuse to take short cuts or coast. Cyclorama‘s songs are fresh, exciting and coalesce a diverse set of elements into a superb album. Dennis DeYoung captures the spirit and sound of classic Styx in a dynamic, fresh collection of songs. The bad news is that neither CD sold enough to create anticipation of new material any time soon. It’s unclear if the current Styx lineup will ever release another set of new songs (songwriter Glen Burtnik has left the band since Cyclorama) and DeYoung has a variety of projects.
The quality of these two CDs hint that a studio album reuniting Styx and DeYoung could be big. Shaw and DeYoung showed in these albums that they are if anything better song writers than they were in the past, and James Young’s These Are the Times hints at his capacity to contribute a gem. If they came back together and pooled their creative juices, having the maturity and perspective to realize that product they create is worth not delving into past disagreements and fights, they could not only have a better album than either of these two, but one that might actually sell — Gold, perhaps even platinum. What a coup that would be for a band that’s been around in some form for almost fifty years!
They need not lose Gowon either. With CDs running 65 or 70 minutes, he could contribute some songs and an expanded Styx could satisfy and unite a fan base that’s often been split between DeYoung fans on the one hand and Shaw-Young fans on the other. DeYoung and Chuck Panozzo are the only true original members of the band remaining, it would be a fitting cap to the band’s career to heal the rift. If DeYoung’s other projects and dislike of heavy touring continues, that would no longer be a problem. He could perform some big concerts, and Gowon could handle the longer tours. The band could be reinvigorated and fans would be delighted.
A pipe dream? Are the egos really too big and the feelings too sensitive? I hope not. DeYoung has claimed he’s willing to try it again. The others might decide its worth a chance for another best seller and spike in their career. They may feel that it would be a gift their fans deserve. And maybe, as they shot past age 60 and start to look mortality in the face, they may realize that the collective magic that gave them five straight multi-platinum albums deserves another run.
Wealth and Society
Fundamental disagreements about taxation and government spending rest on different assumptions about the nature of wealth and of society. Where one stands on these issues determines ones’ perspective, and while some people may believe they have the most moral or rational point of view, such claims defy objective proof. People can only look at the arguments and go with what they believe correct.
Arguments that say taxation should be minimal, even on the wealthy, have an assumption that market outcomes are proper, and that markets work in practice as they are supposed to in theory. I believe these two assumptions to be flawed.
Unpacking the first assumption, one has to ask what determines a “proper” outcome? To say that any market outcome is proper one requires a materialist and economistic view of reality. Everything else — concern about human suffering, poverty, exploitation and equal opportunity — gets dismissed as secondary, or at best left up to the individual. Society in such a view is not a unit connected by shared cultural values, norms, and interdependent relationships, rather it is simply the outcome of a bunch of purely individual choices. Individuals are seen as rational and self-interested, simply interacting with others.
While all of those assumptions are possible to hold, they are by no means self-evidently true or even persuasive. Human history has primarily been that of people connected by tradition and custom in social organizations that value spiritual and community bonds higher than material goods or individual self-interest. Individual identity, purpose and interests came from tradition, culture and social norms. Moreover, no individual chooses his or her interests, goals and ideals purely on their own. Humans are in part cultural products; if the same person were born in Cairo instead of Boston he or she would be a different person, with different beliefs, tastes, values and interests. Finally, no individual is fully responsible for his or her outcomes, including wealth. Depending on how society is structured, wealth accrues to people in different ways, based on different actions. Simply, wealth is a by product of social structures as much as it is of individual choices.
Since Freud we’ve known that humans are not guided primarily by reason and rational thought, but other impulses and drives below the surface in our subconscious. Personality goes a long way to explain different political opinions and points of view, just as it explains ones’ philosophical perspective. Personality is both innate (we’re born a certain way) and shaped by personal experience in both families and the larger culture.
Thus I reject the first assumption. I do not think market outcomes are driven by purely individual choices and interactions, but have a cultural component that plays a huge role in whether or not one becomes wealthy. Moreover, the import of culture also trumps a focus merely on the material and economic. Values matter, as does social stability. Therefore, market outcomes are not inherently just or proper, nor do they accurately reflect the quality of an individual’s choices. There is nothing inherently moral about a market outcome.
I also reject the other assumption, namely that markets work well on their own. Left to their own devices markets break down, and are replaced by pseudo-markets which appear to be capitalist, but instead reflect the interests of the powerful and wealthy — those able to stack the deck in their favor. The stacking is not a malevolent effort by the moneyed elite to control the country, but rather the result of numerous small rational choices that protect profits.
These small choices can hinder the market because of power differentials. People who benefit from one market outcome are in a position to have greater opportunities the next time the game is played. Over time this creates structural benefits to many, and constructs structural barriers to others. Markets thus do not lead to the optimal outcomes implied in theory, but class divisions where a small group is able to get rich and stay rich across generations. This inherently limits the opportunities of those who are not well off. Some can overcome those constraints, most cannot.
Because those core assumptions are flawed, so is the argument that progressive taxation is wrong, or that taxing the wealthy harms the economy. In reality taxing the wealthy: a) recognizes the role of society in creating that wealth — it is not merely the result of individual choices; b) allows resources to be used to help remove constraints by others to succeed, enhancing true opportunity and fixing market anomalies; and c) allows people to focus on other values a society has, rather than seeing materialist processes as the ethical core of a society.
Moreover, the flaws of those core assumptions also explain why regulation is needed. Power differentials create incentives for “winners” to avoid the limits a true market would create. Regulation is needed for the market to operate effectively, create transparency to limit the benefits insiders get thanks to the information and resources at their disposal, and protect market mechanisms.
Note that this argument is supportive of market capitalism. It is not an argument for socialism or against markets, it is merely a claim that markets are not magic. The goal of government is in part to compensate for ways in which the nature of society and the distribution of power disrupts how a market would operate “in theory.” Yes, there are also other values a society might have that trump market processes. These can be conservative (e.g., protect religious institutions, support cultural values such as marriage, etc.) or liberal (assure everyone has quality education and health care). But since there is no “answer key” telling the right values to use to govern, such questions of value are inherently political and contestable — and so far democratic institutions are the best way to deal with such issues.
This still doesn’t answer what the proper tax level should be, what kind of government programs are best, or anything like that. Those questions cannot be answered in the abstract as they are questions reflecting different opinions — there is no right or wrong answer. That’s why democracy is best when it functions correctly — we can debate, persuade, learn from different perspectives, and over time test policies and change what doesn’t work and embrace what does.














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